Maureen Mullarkey

Francis Votes Present

Earlier this month Sandro Magister’s Chiesa broadcast an interesting particular in the Masses celebrated by Pope Francis:
At the moment of communion, Pope Jorge Mario Bergoglio does not administer it himself, but allows others to give the consecrated host to the faithful. He sits down and waits for the distribution of the sacrament to be completed.
At solemn Masses, Francis distributes the eucharist only to his assistants on the altar. And at the juvenile detention center on Holy Thursday, he gave the sacrament to young detainees who approached to receive it. Continue Reading
Beckmann's Deposition, a Modernist Offering

We who live in the Western world at the present time continue to suffer under the reign of a great tyranny — the tyranny of artistic modernism. New English Review , August 2012
  It gets tiring, this lingering need to swipe at modernism. To the extent a date applies, the waning of modernism hovers between the late 1930s and the end of the Second World War. Yet seven decades later, one Quixote or another still gallops forward to tilt at the carcass. Continue Reading
Catholic Art?

The previous post ended with reference to what “the centuries have wrought.” A reader emailed me to ask—hopefully—if I was referring to modernism. No, not at all. In mind was the kind of emasculate anti-art rampant on plaques, statuary, prayer cards in funeral parlors, and too often in our own churches.buy vilitra generic https://newonlineandblo.com/vilitra.html over the counter Side altars, especially. Pictorially equivalent to sob songs, the stuff mimics Renaissance and Baroque painting but is sorely disconnected from the achievement of its prototypes. Continue Reading
Beloved Piero

Bernard Berenson called Piero della Francesca “the mighty Tuscan.” Among contemporary painters, he remains the best loved of Renaissance painters, influential to a range of modern artists whose debt to him might not be readily apparent. buy bactroban online https://latinohealthaccess.org/wp-content/themes/twentyfourteen/inc/php/bactroban.html no prescription Nevertheless, renowned as he is among artists, he is not widely known to American audiences. When a respondent to my previous post sent a link to Piero’s Madonna del Parto , it jolted me into contrition for having neglected to say a word about the gem of a Piero exhibition that opened at the Frick in February. Continue Reading