The only Christian work is good work, well done.
Ask: “Who is the greatest figure painter of the late twentieth century?” The answer on this side of the Atlantic is likely to be Lucian Freud. Across the water, the choice is hardly so clear cut. Euan Uglow (1932-2000) is one of Britain’s most distinguished—to many, the most distinguished—painter of his time. Ten years younger than Freud, he died too soon.
Uglow was an austere, luminous practitioner of direct observation. Continue Reading
Glancing quickly, I misinterpreted the opening lines of a recent bulletin from Sandro Magister’s Chiesa . My eye fell on a reference to the Venice Biennale and, at the same time, on a thumbnail image of a contemporary chapel. At once devotional and festive, it looked to be a lovely ensemble. My immediate impression was that the Vatican pavilion would contain a model chapel, a beautifully designed invitation to prayer—a challenge—addressed to the international art crowd.
I was ready to recant all my misgivings about Cardinal Ravasi’s foray into the belly of the casino: I take it all back! Continue Reading