The oddities of Archbishop Paglia’s 2007 commissioned mural stirred interest in other works by Ricardo Cinalli, the Argentinian artist who painted it. Why him? Of the ten artists who auditioned for the project, what recommended Cinalli above the others? Presumably all applicants were adept at the human figure, all capable of managing the demands of a large-scale wall painting. What was the distinguishing feature of the winning artist’s portfolio?
Go ahead, take a guess:
The bulk of Cinalli’s output—prior to and close to the time of the commission—exhibits a will to startle, an inner necessity to stick a thumb in the eye of Mr. Continue Reading
Notices of Archbishop Paglia’s homoerotic mural began appearing in my e-box on Friday, with still more on Saturday. I regret not having paid closer attention before shrugging in dismissal. Diverted by art history and the aesthetics of the thing, I missed the crux of the story.
Truth to tell, the screaming headline put me off: Shocker: Francis-appointed Vatican archbishop featured in massive homoerotic painting he commissioned. Maybe it was the word shocker. So often does that precede something that ought be no surprise to anyone, let alone a shock, that I did not read past the opening paragraph on LifeSiteNews:
The archbishop now at the helm of the Pontifical Academy for Life paid a homosexual artist to paint a blasphemous homoerotic mural in his cathedral church in 2007. Continue Reading