Graphic design is a silent but powerful language. Instantaneously recognized, a single graphic is easily digestible. It serves as a branding device for more than your afternoon cuppa at Starbucks or a Ralph Lauren sport shirt. Applied to an ideology and a movement, it simplifies everything it stands for. It leapfrogs over complexities, contradictions, and muffles the noise of rational argument. Most significantly, it conveys an identity and, with that, a corresponding ethos.   Under Constantine, the Chi-Ro—standardized and emblazoned on the official banner of the Roman Empire—was disseminated throughout the known world as understood by Greeks and Romans at the time. Continue Reading
Meet Giovanni Battista Bugatti, official executioner for the Papal States from 1796 until he retired, with a papal pension, in 1864. Nicknamed Mastro Titta—a corruption of the Latin for “master of justice”—he was the longest serving and storied executioner under papal authority. He delivered justice 516 times over the years he held the job. “With ax, noose, guillotine, Mastro Titta served the pope.” That enviable sentence is the opening line of “He Executed Justice,” an illuminating essay by John L. Allen, Jr., Continue Reading
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