2014

We are too accustomed to prefacing the word scandal with the modifier sex. We lose sight of scandal’s insidious range. What we  witness in Sunday’s carnival of prayer at the Vatican is scandal of a different stripe: the abuse of prayer. Israeli President Peres, Palestinian Authority chairman Mahmoud Abbas (nom de guerre Abu Mazen) will meet in the Vatican garden. Imams will read selectively from the Quran, rabbis will read from the Tanakh. Christians will flourish the New Testament. All will conspire to ignore the elephant in the topiary: Islam—and Islam alone—contains a theological imperative to violence.buy Continue Reading

Anyone thinking of taking the L or G train to the fated Domino Sugar Refinery to see Kara Walker’s installation should keep in mind literary critic Hugh Kenner’s words about conceptual art. In his definition, it is art that only needs to be described. It does not need to be experienced. Destined to melt in a heat wave, Kara Walker’s “A Subtlety” was not meant as a permanent work of art. It is a temporary conceptual project fashioned from software that permits artists to replicate their creations in real space and in almost any scale desired. Continue Reading

How many beholders does it take to declare something objectively beautiful? Or not? That is a stumper. The riddle becomes easier to solve if you lower the register and ask how many are needed to declare a thing significant. The answer comes immediately: Not many, just so long as they are equipped to finance the project and generate tactical promotion. In short, those with the assets and affiliations to create both an image and the yardstick by which it is measured. Continue Reading

‘Peace, peace,’ they say, when there is no peace. [Jeremiah 6:14] There is no worse heresy than that the office sanctifies the holder of it. [Lord Acton] The papacy is swaddled in sycophancy in the best of times. Add to that the exultant adulation induced by celebrity culture. It is a heady mix that can beguile a decent man into a grandiose conception of himself that blinds him to the limits of his office. And encourages conceit in his own sympathies. Continue Reading

Whoever writes about religion and art comes into contact with two sorts of people: Christians of the most varied stamp, and connoisseurs of art. Both are rather difficult to get along with. —Gerardus van der Leeuw Stay awhile with Gerardus van der Leeuw (1890-1950). His lyrical and provocative analysis of consonance—and distance—between beauty and holiness is indispensable for any lover of the subject. There was no one better prepared than he—poet, theologian, philosopher, historian of religion—to write a theology of art or discuss the problems of a theological aesthetics. Continue Reading