Art

A Florida Initiative, Abortion & The Lesson of Venezuela

The specter of Venezuela looms over a complacent American electorate. Mary Jo Anderson, a notable Catholic journalist and public speaker, gave a talk to an organization of Republican women in central Florida’s Volusia County on August 8. Her topic was Florida’s Amendment 4, a.k.a. Right to Abortion Initiative, a hot-button issue for discussion that preceded the group’s business meeting. The agenda included an introduction to Faustina Guzman-Trump [no relation to Donald], a Venezuela-born candidate for the office of Republican Committeewoman in the county. Continue Reading
statue on display in cathedral, Linz, Austria

Decapitated statues of Mary are not uncommon in European nations culturally enriched by Muslim migration. So the July 1 beheading of the Virgin Mary in the Cathedral of the Immaculate Conception (a.k.a. Mariendom) in Linz, Austria, was a welcome detour from a political minefield. It shifted attention from Islam to a less threatening adversary: Catholic traditionalists. Let me explain. “Crowning,” a coarsely crafted sculpture of the Virgin Mary in labor, went on display at the cathedral as part of DonnaStage, a tangle of events celebrating the 100th anniversary of Mariendom’s consecration. Continue Reading
Sex Education, Then And Now

Sex education was simpler when I was a girl. There were only two sexes back then. And the word gender had not yet leaped from the declension of nouns to an identity. Sr. Edmund Marie, the biology teacher in the girls’ department of our parish high school, visited the grammar school every year. She spent a day talking to seventh graders (or was it sixth?) about the biology of plants, and brought with her a black portfolio of over-sized botanical posters. Continue Reading
A Personal Note On Pride Month

While the holy month of Pride was upon us, I thought often of the ancient Dance of Death. Through the 1990s, at the height of the AIDS epidemic, a parade saluting sexual behaviors that shortened lives struck me as a celebration against itself—an inverted Danse Macabre. What once had been cautionary and didactic was  becoming exhortative. The parade was encouraging if not, in a perverse way, edifying. A certain kind of free spiritedness, however lethal, was assumed to be tinged with heroism. Continue Reading
Studio Matters: Art Talk, Church Talk, et al.

Studio Matters began as a companion to my columns for the culture desk of The New York Sun in its brief reincarnation as a print edition. I often miss my weblog’s original mandate. At the time, The Sun ran the best arts coverage in New York City. A small troupe of us covered visual arts for the culture desk under the heading “Gallery Going.” Journalistic art criticism has been with us since the Mercure de France published the first criticism of a Paris Salon in 1738. Continue Reading