Beauty will save the world—a mantra among contemporary Christians issuing from the mouth of a character in nineteenth century Russian fiction. Augustine’s Beauty has already saved the world. Our ransom has been paid. What matters now is whether the world cooperates with its redemption or flouts it. History will tell in the end. The arts of the beautiful are weightless in the balance. They can only scratch at the surface—if that—of moral beauty. But moral beauty is not the artist’s province. Continue Reading