Beauty

Beauty & Accidents of Perception

Nature is terrifying. Aesthetic distance from dread of it increases only in proportion to our mastery over it. Shelter from it frees us to make art of our aesthetic promptings, so easily confused with a spiritual consciousness. It is snowing as I type this. Icicles two and three feet long hang from the gutters. A struggling andromeda outside the front door is bent in two by the weight of ice. My long curving, uphill driveway, treacherous in bad weather, is impassable. Continue Reading
The Conversion of Artists?

The website of the Catholic Artists Society offers an audio download of its sponsored lectures. In return, it asks only for the courtesy of a small voluntary donation. When I went to the site after Gregory Wolfe’s talk, there was an addendum to the donation button. If you preferred prayer to cash, you could make good by saying a decade of the Rosary for the conversion of artists. That codicil is now gone, thank goodness. The conversion of artists. Given the unlovely, preparatory landfill turned out in carloads by MFA programs, it might have seemed a humane objective. Continue Reading
Beauty, the Mantra

Beauty will save the world—a mantra among contemporary Christians issuing from the mouth of a character in nineteenth century Russian fiction. Augustine’s Beauty has already saved the world. Our ransom has been paid. What matters now is whether the world cooperates with its redemption or flouts it. History will tell in the end. The arts of the beautiful are weightless in the balance. They can only scratch at the surface—if that—of moral beauty. But moral beauty is not the artist’s province. Continue Reading

The feeling for things in themselves, for reality, is more important than the feeling for pictures. —Vincent Van Gogh   This is the day that the Lord has made; let us be glad and rejoice in it. —Psalm 118:24 I love the words of that psalm. They repeat in my heart like a mantra. This is the day —not just today, October 10; not yesterday or tomorrow but the entire span of our days. And the times in which our days are lived. Continue Reading
Art, an Earthly Thing

Art is an eminently earthly thing. —Pierre Revardy (1927)
Beautiful things are those which please when seen—and, of course, I mean mentally seen, and therefore pleasing to the mind . . . . Anything is beautiful if it be made in such a way as to give pleasure to the mind which perceives it, and the question as to what should or should not give pleasure to the mind is no more and no less difficult than the question as to what should or should not give annoyance.
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