I have not brought myself to pay this year’s dues on my long-term membership in AICA-USA, the United States section of the Association Internationale des Critiques d’Art. Founded in 1950 in Paris (hence the acronym), it presents its mission as “elevating the values of art criticism as a discipline, and acting on behalf of the physical and moral defense of works of art.” [Embalming criticism in an academic discipline sends cold steel through the heart of the kind of lively observations recorded by the Goncourt brothers. Continue Reading