After hearing my confession, a gentle, elderly priest granted absolution and, for my penance, imposed the chaplet of Divine Mercy. I cringed. Oh, please, not that! Like the bargaining murderer in Alfred Hitchock’s I Confess, I negotiated the penance. I blurted out something about revulsion for the self-regarding jumble of Faustina’s supernatural stenography. I wanted nothing to do with the cult of Faustina and her preposterous painting commission. Please, Father, give me a different penance. A mild man, he obliged. He rescinded the chaplet and sent me to the rosary instead. Continue Reading