Graphic design is a silent but powerful language. Instantaneously recognized, a single graphic is easily digestible. It serves as a branding device for more than your afternoon cuppa at Starbucks or a Ralph Lauren sport shirt. Applied to an ideology and a movement, it simplifies everything it stands for. It leapfrogs over complexities, contradictions, and muffles the noise of rational argument. Most significantly, it conveys an identity and, with that, a corresponding ethos.   Under Constantine, the Chi-Ro—standardized and emblazoned on the official banner of the Roman Empire—was disseminated throughout the known world as understood by Greeks and Romans at the time. Continue Reading
While the holy month of Pride was upon us, I thought often of the ancient Dance of Death. Through the 1990s, at the height of the AIDS epidemic, a parade saluting sexual behaviors that shortened lives struck me as a celebration against itself—an inverted Danse Macabre. What once had been cautionary and didactic was  becoming exhortative. The parade was encouraging if not, in a perverse way, edifying. A certain kind of free spiritedness, however lethal, was assumed to be tinged with heroism. Continue Reading
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