Today we hear conga drums, trap sets, bongos, and other drums played not in the style of Monteverdi processions, or Masses by Haydn or Mozart. Instead we hear them just as we would hear them in a bar or dance hall. They are used just as they are in the secular world: to keep a beat, to make the music groovy, to inspire us to kind of do a bit of a dance. That’s the association of percussion we have in our culture.