Cubism and Genius Worship
ART CAN NEVER BE A SCIENCE. Its claims are not falsifiable. There is no hard data on which to resolve disputes about what, when all boils down, are matters of taste. Yet the urge to gild art with the luster of science keep bubbling to the surface.
John Silber’s Architecture of the Absurd sets the blame for this squarely in the lap of Sigfried Giedion (d, 1968), a Swiss art historian, architecture critic, and champion of modernism. Since it was published in 1941, Giedion’s classic study Space, Time and Architecture has been required reading for students of modern architecture. Continue Reading