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Maureen Mullarkey: Studio Matters

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Idolatry of Devout Ideas

The name of Hans Urs von Balthasar has become a kind of a code word among Catholics. Like the password to a speakeasy, it signals membership in a confidential circle on sequestered ground.buy sinequan online https://blackmenheal.org/wp-content/languages/new/noprescription/sinequan-no-prescription.html no prescription Nonmembers have to tread carefully. Signs to “Keep Off the Grass” are everywhere. The lawn is beautifully kept. At the risk of tripping over those staked warnings, I have to admit a high degree of nonplussment over the writings of Adrienne von Speyr and Balthasar’s drive to promote them. Continue Reading

A Few Notes

Among Euan Uglow’s studio props was a female skull, minus the jaw bone and, possibly, two thousand years old. His friend and fellow painter Tony Eyton wrote that Uglow found it in an ancient burial ground and smuggled it out. It is a fit companion to Notes of an Anatomist by Frank Gonzalez-Crussi, a practicing pathologist and Professor Emeritus of Pathology at Northwestern Medical School. He is also a witty, graceful scholar and essayist. Notes opens with an urbane chapter on embalming with anecdotal references from ancient Egypt to Jacques Maritain in a dentist’s chair. Continue Reading

An Aesthetical Conundrum

Decadence was brought about by the easy way of producing works and laziness in doing it, by the surfeit of fine art and the love of the bizarre. —Voltaire, The Princess of Babylon (1748)
  Voltaire’s linkage of decadence to an overabundance of fine art earns consideration, perhaps now more than ever. Art stuffs pile up around us; and we live, increasingly, with an overemphasis on—even reverence for—aesthetics that is less a sign of refinement than a malaise. It is an unhealthy condition, all the more precarious for exalting aesthetics, a strutting Enlightenment product, up, up into the embrace of theology. Continue Reading

Addendum

To paraphrase Degas: There is blogging and there is life; and we have but one heart. In a hurry yesterday, I neglected to say that Bouyer’s The Decomposition of Catholicism is not particularly representative of his writing. It is a brief, highly personal howl of dismay at the results of the Second Vatican Council, in which he himself played a significant role. The polemical energy of it appeals to me but polemics, I know, is not everyone’s cup of Twinings. So perhaps it is a book to meet later, after engaging the tenor of his mind and flavor of his scholarship in his many works on spirituality, the sacraments, the liturgy and Church history. Continue Reading
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