Artistic Identity

Sam Minton in drag

I have not brought myself to pay this year’s dues on my long-term membership in AICA-USA, the United States section of the Association Internationale des Critiques d’Art. Founded in 1950 in Paris (hence the acronym), it presents its mission as “elevating the values of art criticism as a discipline, and acting on behalf of the physical and moral defense of works of art.” [Embalming criticism in an academic discipline sends cold steel through the heart of the kind of lively observations recorded by the Goncourt brothers. Continue Reading
Scattered Notes on Notre-Dame

My heart splintered watching Notre-Dame go up in flames. The disorder of my own responses—a jumble of dismay, anger, and foreboding—permits no tidy structure. What follows is a series of thoughts in no strict sequence. Bear with me. •    •    •    • “Somebody did something” on 9/11. Taking a cue from Ilhan Omar, can we wonder if somebody did something to Notre-Dame? It is a rational conjecture. Watching the cathedral tower burn, it was impossible for the mind’s eye not to go directly to the burning towers of the World Trade Center. Continue Reading
The Conversion of Artists?

The website of the Catholic Artists Society offers an audio download of its sponsored lectures. In return, it asks only for the courtesy of a small voluntary donation. When I went to the site after Gregory Wolfe’s talk, there was an addendum to the donation button. If you preferred prayer to cash, you could make good by saying a decade of the Rosary for the conversion of artists. That codicil is now gone, thank goodness. The conversion of artists. Given the unlovely, preparatory landfill turned out in carloads by MFA programs, it might have seemed a humane objective. Continue Reading
What is Beauty?

What is beauty ? The question is better left to philosophers. It is a bootless one for artists to brood over. It does nothing to enhance the work of an artist’s hand. It is the experience of beauty—sensory, emotional, psychological—not any definition that makes an artist’s work intelligible to himself. Herself. Creators of the greatest beauty possess it by instinct. Yet, the question has become a species of branding device among Christian, particularly Catholic, artists. It is the asking that matters more than the answer. Continue Reading
Tu Belleza, Tu Misericordia

VII. Tu belleza se llamará también misericordia, y consolará el corazón de los hombres. —Gabriela Mistral, Decálogo del Artista The beauty that you create shall also be called compassion, and shall console the hearts of men. I painted that seventh commandment of Gabriela’s “Decalogue of the Artist” across the old built-in china cabinets that line one dining room wall. I sketched it first in pencil to get the spacing right, then brushed over the sketch with ivory black in a version of chancery hand. Continue Reading