THIS LOVELY 15TH CENTURY PANEL is part of the famed Cycle of the Months, one of the most intriguing and rare secular pictorial cycles of the Middle Ages. The snowball fight here celebrates the month of January.  It is in the collection of the Castello del Buoncastiglio, Trent, the largest and most important architectural complex of the alpine region of Italy (the Trentino Alto Adige).buy lexapro generic https://rxbuywithoutprescriptiononline.com/lexapro.html over the counter The Cycle is in the Torre Aquila section of the complex, for those lucky few of you heading off to Italy over vacation. Continue Reading
WHEN WE TALK OF BOHEMIA, we are referring to a shifting cultural phenomenon that began among the Romantics, came to dissolute bloom in the prosperity of France’s Second Empire and continued, sporadically, through the Twenties and on into the Sixties. From Thomas De Quincey (17-85-1859) to the Beat Generation, thereabouts. But eccentricity has been with us forever. No doubt there were Neanderthals who considered themselves unique and entitled to attentions unearned by their dull, plodding fellows.buy aciphex online https://blackmenheal.org/wp-content/languages/new/aciphex.html no prescription//// Human history is a kaleidoscope of oddities—but do they belong to the nature of artists? Continue Reading
ARTISTS DO LOVE TO THINK OF THEMSELVES as different from everyone else. They are first on line for the latest article, book, monograph or lecture on the problems of the artist’s personality and the mysterious springs of his creative power. They bathe in popular notions of their own otherness and cater to popular illusion like savvy account execs in ad agencies. It is so satisfying to count oneself a member of an exotic tribe that is, and always has been, temperamental, egocentric, neurotic, defiant, anarchistic, unreliable, licentious (that’s the best part), flamboyant, obsessed and all-around incorrigible. Continue Reading
I THOUGHT YOU MIGHT ENJOY a look at one example of art-as-social-practice in action. Herewith,  Portland State University’s MFA students exhibit their craft at the Portland Museum, Oregon: //// Here we see the social role of the artist being played out in a community setting. It is a wonderful thing. Their heads all point to the center like the spokes of a wheel. The wheel—mankind’s first truly revolutionary mechanical device. It made possible the Industrial Revolution and the very thing that gets your Prius from one place to another. Continue Reading
A PAINTER ON FACULTY SOMEWHERE emailed me to regret that Gombrich had become:
. . . a voice that is little heard at the schools in which I’ve taught. . . . “The Visual Image:  Its Place in Communication” is particularly good in throwing students for a loop; “On Art and Artists” is nice, too.  There’s only one other instructor at [Anonymous U], as far as I know, who introduces Gombrich to the students.  Otherwise, his books are gathering dust in the library. 
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