Father Richard Neuhaus kept on his shelves several books by Louis Bouyer, a priest of the French Oratory. Like Fr. Neuhaus, Père Bouyer (1913-2004) had been a Lutheran minister before his conversion to Catholicism and ordination to the priesthood. In the Vatican II era, Fr. Bouyer would have needed no introduction. Professor of Church History and Spiritual Theology at the Institut Catholique in Paris, he published books on liturgy and patristic theology that are classics in their field. Influential at the Second Vatican Council, he was quick to express dismay at post-conciliar interpretations of the Council’s statements on liturgy. Continue Reading
Last week’s joint dedication of Vatican City by Popes Francis and Benedict to Michael the Archangel, our defender in endless battle, brought angels to mind. While they are an integral part of our cultural history—some would say mythology—they have little purchase on contemporary Christian life, theology or spirituality. Once liturgical prayer to St. Michael was made voluntary, it slipped altogether out of the prayers after Mass. The same has happened to that sweet staple of children’s culture:  
Angel of God My guardian dear To Whom God’s love Commits me here Ever this day Be at my side To light and guard To rule and guide.
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Today we hear conga drums, trap sets, bongos, and other drums played not in the style of Monteverdi processions, or Masses by Haydn or Mozart. Instead we hear them just as we would hear them in a bar or dance hall. They are used just as they are in the secular world: to keep a beat, to make the music groovy, to inspire us to kind of do a bit of a dance. That’s the association of percussion we have in our culture.
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Belief in the congruity of aesthetics and morality is widely shared. The conviction presupposes that a developed aesthetic sense points, by some means, to the Good. Or, at least, to an expansive analogy to it. But on the ground, aesthetic impulses exist independently of goodness—which is as close as quotidian reality gets to the Good.buy clomid online https://blackmenheal.org/wp-content/themes/twentytwentytwo/inc/patterns/en/clomid.html no prescription They know nothing of simple kindness or decency. That was the implicit reason for my earlier post on Hilter’s aestheticism. Elizabeth Powers, a Goethe scholar and previous contributor to FT , wrote to remind me that Nazi ideologue Alfred Rosenberg had written a ground-breaking text on the history of the sublime in England. Continue Reading
I promised to get back on the subject of beauty. And I will keep the promise, but not today. This is just a demi-post to get us through the weekend. Herewith, a contrarian thought to consider from France’s wildly popular pop singer Serge Gainsbourg: “Ugliness is superior to beauty because it last longer.” We cannot talk about beauty unless we have an appreciation—if that is the word—for ugliness. And what, precisely, is it? Is the ugly no more than an absence of beauty? Continue Reading
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