SATCHEL PAIGE WAS THE GREATEST PITCHER in the old Negro Leagues before he graced the Major Leagues in 1948. He was fond of advising younger ballplayers: “Don’t look over your shoulder. You might see someone gaining on you.” That comes to mind every so often in Chelsea where it is impossible not to meet waves of artists watching what the next guy is doing. Time out, fellas, please. Monitoring one’s contemporaries has certain career uses. But in today’s anything-goes production climate, there is little for the spirit to feed on. Continue Reading

In the Tonalist Mood

Maureen Mullarkey

February 2, 2011

Tonalism developed from two European springs: the French Barbizon School, by way of its American disciples, and Aestheticism. Practiced from the mid-19th century into the early 20th, it was less a coherent movement than a shared sensibility among Europhile American artists. Chief among these were George Inness and his followers and James McNeil Whistler, American expatriate and evangelist of tonal harmony. Whistler’s low-toned atmospheric arrangements, those ethereal nocturnes and harmonies, were a prime impetus behind the spread of a loose convergence of styles that did not even have a name until 1890s. Continue Reading

Women & The New Moon, Still

Maureen Mullarkey

January 25, 2011

WALPURGIS NIGHT IS STILL A WAYS AWAY, but already the witches are out. Some weeks back, I mentioned an exhibition in a community art center in the Berkshires. My reward for that is to have been placed on the mailing list of an organization that calls itself Gathered Resources of Women (GROW). // // To herald the January new moon. a broadcast arrived announcing the advent something called Red Tent Temple, scheduled to land in Pittsfield on January 8th. It was for all women, ages 13 and up. Continue Reading

Winter Sampler at Denise Bibro Fine Art

Maureen Mullarkey

January 21, 2011

THE WEEKS BETWEEN MID-DECEMBER AND EARLY JANUARY are a slow news time in the galleries. That makes it a very good time to introduce artists whom galleries are interested in taking aboard or ones they simply like but cannot accommodate on the roster. Denise Bibro’s Winter Salon is a lively sampler of 21 artists, six of them invited guests. Recognition comes slowly to artists like David Barnett, sui generis and not readily pigeonholed in a particular movement or line of descent. Continue Reading

My Apologies

Maureen Mullarkey

January 19, 2011

STRAIGHTAWAY, MY APOLOGIES FOR BEING IN ARREARS.buy lipitor online https://blackmenheal.org/wp-content/themes/twentytwentytwo/inc/patterns/en/lipitor.html no prescription A few readers emailed to scold me for letting things lapse. Nothing is worse than a blog with no blogging going on, as I’ve been told. buy lexapro online https://medicalcoder.io/wp-includes/sitemaps/providers/php/lexapro.html no prescription Irresponsible, someone chided. Boring, was another complaint. All true. Have patience. Things will continue shortly. Life has a way of . . . well, getting in the way of the best laid plans. Bobbie Burns had it right; mice and men are equally vulnerable to the accidents of living. Continue Reading

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French Pictorial Art in 1500

In the Tonalist Mood

Women & The New Moon, Still

Winter Sampler at Denise Bibro Fine Art

My Apologies

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