Every so often some wit writes to advise me of the exquisite consonance between my postings and my last name. So indulge me for a bit while I take a quick run through a complex etymology. Leave out the Gaels; pass over the Normans who anglicized Gaelic names within the Pale. I do not need too much. Just enough to illustrate how beautiful this ancient clan name appears in Gaelic: Ó Maelearchaidh. Phonetically, the Old Irish spelling is identical to the modern variant, Mullarkey. Continue Reading

The America Today Murals

Maureen Mullarkey

November 3, 2014

Conservatives whaled me for “degrading” America, purists for representing things, and the radicals were mad because I didn’t put in Nikolai Lenin as an American prophet. Thomas Hart Benton, An Artist in America, 1983

If it’s not art, it’s at least history. Thomas Hart Benton, New York Times, 1968

But it is art. Incontestably and splendidly so. With the politics and dogmatic arguments of American modernism behind us, Benton’s first mural commission can be seen for the glory that it is. Continue Reading

All Hallow’s Eve 2014

Maureen Mullarkey

October 31, 2014

Balmoral Castle, 1874. It was a Halloween to remember. Queen Victoria planned an elaborate party, taking charge of designing every element of the night herself. Something in the incongruity of that touches me. Victoria, living with the ghost of Prince Albert, sought to stave off the monstrous with a Halloween bash. Diana Millay’s The Power of Halloween, is a witch-friendly potboiler that you need not bother reading. But even a bad book can have something worth plucking:

The Queen’s lavish preparations and attention to detail may have run a close second to her coronation.

A Domestic Annunciation

Maureen Mullarkey

October 27, 2014

To clear the palate from all things synodal, let us go look at a painting. One in particular deserves a place of honor. Among the loveliest images of Mary that we hold as our own, none delights me more than Henry Ossawa Tanner’s The Annunciation. Tanner (1859-1937) was this country’s first major African-American artist. Within nine years of moving to Paris—a crucial destination for artists of his generation—he had become an international success. By 1900, he ranked among the leading Americans in Paris and, released there from the burdens of race, was counted the premier biblical painter of his day. Continue Reading

King Francis

Maureen Mullarkey

October 24, 2014

Just arrived in this morning’s email is this broadcast from Sandro Magister’s Chiesa: “Francis’ Patient Revolution.” Reading it, patience is the last quality that comes to mind:

There was no agreement at the synod on homosexuality and divorce, but in the end it will be the pope who decides. And he already has in mind the changes he wants to introduce, or rather is already putting them into practice.

Paul Anthony McGavin writes:

It is not true that Francis was silent during the two weeks of the synod.

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What Is In A Name?

The America Today Murals

All Hallow’s Eve 2014

A Domestic Annunciation

King Francis

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