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Maureen Mullarkey: Studio Matters

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View Through the Fallopian Tubes

For connoisseurs of civilizational decline, the delights keep accumulating. Contemporary art is especially generous in building the case that Spengler had it right. If only he had been an art critic. The ignorance and terminal vulgarity of what passes—still—for feminist art disqualifies most of its practitioners from any claim on civilized attention.Newly arrived is a press release from Ceres Gallery, a women’s not-for-profit collective in New York, announcing a not-so-unique exhibition Meet My Uterus. Vaginas have been over-exposed, laid bare every which way from Sunday. Continue Reading

January 1, 2013

This time last year, Studio Matters went on retreat. It withdrew in anticipation of a long, difficult year. The new one promises to be no easier.buy Nootropil generic https://buybloinfo.com over the counter Still, retreats are meant as preludes to renewal, not abdication. I was reminded of this by a note that came from a lovely and thoughtful artist in Arkansas. She wondered if postings had been abandoned forever. No, Lin, not forever. New Year’s Day seems a good moment for Studio Matters to shake off sleep and open eyes to the new season. Continue Reading

Until Later

AS MANY OF YOU HAVE EMAILED to inquire—or scold—about, postings have been sluggish for some time. It is not good form to leave it at that. Time to be direct and own up to reality. Circumstances do not permit me to continue Studio Matters for the moment.  It will start up again when life permits it. Meantime, hearty thanks to each of you who kept conversation going with your comments or personal emails. Good talk is a grace note. And I am grateful for yours. Continue Reading

For Unto Us A Child Is Born

EACH CHRISTMAS MORNING I wake up relieved that the struggle against “Happy Holidays” is over for another year. Holidays are holy days, after all. When Hanukkah and Christmas arrive so close together as they do this year, I wonder if it would be possible to announce “Happy Holy Days!” into the secular void.  The wondering calls to mind “A Rabbi’s Christmas,” an essay by one Jakob Petuchowski. When it was written 20 years ago, the author was a professor of Judeo-Christian studies in Cincinnati, of Jewish liturgy in Arizona, and a rabbi in Laredo, Texas. Continue Reading

Picturing Mary Magdalene

ART HISTORIANS ARE NOT NECESSARILY the best commentators on art. They are primarily researchers: archival sleuths, inquirers, unearthers of fact. Gumshoes, the best of them.  Some can write, many cannot. The discipline draws bookish sorts who are more at home in a library carrel, reading up on the words of some other member of the discipline who needs to be corrected. Or quieted. Or slain. In many respects, the discipline can be thought of as the yeshivot of the art world, a seminary for orthodox secularists trying to puzzle out the path to a better heaven. Continue Reading
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