Every so often some wit writes to advise me of the exquisite consonance between my postings and my last name. So indulge me for a bit while I take a quick run through a complex etymology. Leave out the Gaels; pass over the Normans who anglicized Gaelic names within the Pale. I do not need […]

Conservatives whaled me for “degrading” America, purists for representing things, and the radicals were mad because I didn’t put in Nikolai Lenin as an American prophet.                                                 Thomas Hart Benton, An Artist […]

Balmoral Castle, 1874. It was a Halloween to remember. Queen Victoria planned an elaborate party, taking charge of designing every element of the night herself. Something in the incongruity of that touches me. Victoria, living with the ghost of Prince Albert, sought to stave off the monstrous with a Halloween bash. Diana Millay’s The Power […]

To clear the palate from all things synodal, let us go look at a painting. One in particular deserves a place of honor. Among the loveliest images of Mary that we hold as our own, none delights me more than Henry Ossawa Tanner’s The Annunciation. Tanner (1859-1937) was this country’s first major African-American artist. Within […]

Just arrived in this morning’s email is this broadcast from Sandro Magister’s Chiesa: “Francis’ Patient Revolution.” Reading it, patience is the last quality that comes to mind: There was no agreement at the synod on homosexuality and divorce, but in the end it will be the pope who decides. And he already has in mind […]

In Painting and Reality, Etienne Gilson argued that painting should be experienced on its own terms. That is to say, aesthetically. He insisted that audiences greet art without thinking of it as something to be understood, decoded, or interpreted. A painting is not an essay, not a set of propositions. Whatever literary, philosophical, or narrative […]

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