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Maureen Mullarkey: Studio Matters

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The Conversion of Artists?

The website of the Catholic Artists Society offers an audio download of its sponsored lectures. In return, it asks only for the courtesy of a small voluntary donation. When I went to the site after Gregory Wolfe’s talk, there was an addendum to the donation button. If you preferred prayer to cash, you could make good […]

Beauty, the Mantra

Beauty will save the world—a mantra among contemporary Christians issuing from the mouth of a character in nineteenth century Russian fiction. Augustine’s Beauty has already saved the world. Our ransom has been paid. What matters now is whether the world cooperates with its redemption or flouts it. History will tell in the end. The arts […]

Roger de La Fresnaye, Neglected Knight

Roger de la Fresnaye (1885-1925) painted strikingly personal, luminous, figure compositions between 1912 and his entry into the French army in 1914. They are among the grandest works of the generation of Picasso and Braque. During the 1940s, Duncan Phillips called him a “legendary knight.” Neglected might have been the more accurate adjective, but the noun […]

Our Present, Our Art

The feeling for things in themselves, for reality, is more important than the feeling for pictures. —Vincent Van Gogh   This is the day that the Lord has made; let us be glad and rejoice in it. —Psalm 118:24 I love the words of that psalm. They repeat in my heart like a mantra. This is […]

Art, an Earthly Thing

Art is an eminently earthly thing. —Pierre Revardy (1927) Beautiful things are those which please when seen—and, of course, I mean mentally seen, and therefore pleasing to the mind . . . . Anything is beautiful if it be made in such a way as to give pleasure to the mind which perceives it, and […]

It Ain’t Bosh

“Charles,” said Cordelia, “Modern Art is all bosh, isn’t it.” “Great bosh.” “Oh, I’m so glad. I had an argument with one of our nuns and she said we shouldn’t try to criticize what we didn’t understand. Now I shall tell her I have had it straight from a real artist, and snubs to her.” […]

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