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Maureen Mullarkey: Studio Matters

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Ad Gustum

Speaking of angels, there is this rendering of St. Michael from the gifted Daniel Mitsui : Mitsui promises a new St. Michael, again as a samurai, later in the year. Below is St. Raphael, carrying his attributes, a staff—bamboo, this time—and a fish. Most likely a carp. (In Japanese culture the carp is a symbol of […]

Angel Guardians, a Survey

Last week’s joint dedication of Vatican City by Popes Francis and Benedict to Michael the Archangel, our defender in endless battle, brought angels to mind. While they are an integral part of our cultural history—some would say mythology—they have little purchase on contemporary Christian life, theology or spirituality. Once liturgical prayer to St. Michael was […]

A Blog of One’s Own

It is an odd thing, this culture of blogging. I am still not fully at home with it. The very word blog makes me wince. It is an ungainly term, ugly to look at on the page and even uglier to hear spoken. Gelatinous. The word comes dangerously close to blob . If I had to pick […]

Euan Uglow’s Stern Beauty

The only Christian work is good work, well done. –Dorothy Sayers   Ask: “Who is the greatest figure painter of the late twentieth century?” The answer on this side of the Atlantic is likely to be Lucian Freud. Across the water, the choice is hardly so clear cut. Euan Uglow (1932-2000) is one of Britain’s […]

Museum Theology

Glancing quickly, I misinterpreted the opening lines of a recent bulletin from Sandro Magister’s Chiesa . My eye fell on a reference to the Venice Biennale and, at the same time, on a thumbnail image of a contemporary chapel. At once devotional and festive, it looked to be a lovely ensemble. My immediate impression was that […]

A Cabinet of Vanities

Among liturgically concerned responses to the previous post, one of them gave me a start: On Corpus Christi, at a Manhattan parish, we had to sing an entrance song which begins, “We are here to tell our story, We are here to break the bread, we are here to know our rising from the dead […]

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