The grotesque is one of the most obvious forms art may take to pierce the veil of familiarity, to stab us up from the dross of the accustomed, to make us aware of the perilous paradoxically of life. Robert Penn Warren So then, how do we approach a performance piece by celebrity artist James Franco […]
It was déjà vu all over again when this e-flyer arrived from Union Theological Seminary. It came on Good Friday, announcing a performance piece sponsored by Union’s The Institute for Art, Religion and Social Justice: “GODFULL: SHAPE SHIFTING GOD AS QUEER” A pageant of sorts, Godfull: Shape Shifting God as Queer is billed as a […]
Norman Rockwell’s “April Fool: Checkers” originally appeared on the cover of The Saturday Evening Post , April, 1943. Go ahead, sniff all you like. But I can’t resist. Tell me, what is wrong with this picture? If you won’t play along yourself, try it on your kids. Or send it along to some other fan of Where’s […]
All our worship, through every season of our lives, is one unbroken celebration of this day. Easter is the ground of our hope, the pasch on which all else rests. Today we exult in the promise at the heart of the Christian mystery: a declaration that death does not have the last word. This is […]
No depiction of the Crucifixion in all of Western art is as stark an image of abject suffering as Matthias Grünewald’s. Canons of beauty were never the object here. Its seeming modernity lies in its refusal to veil the grotesque.buy viagra super active generic https://viagra4pleasurerx.com/viagra_super_active.html over the counter The corpus is appalling; it repels aestheticization. […]
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