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Maureen Mullarkey: Studio Matters

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A Glad Easter

THE RESURRECTION, from Matthias Grünwald’s Isenheim altarpiece, is the single most striking image of the event on which Christianity is founded. It dramatizes the center of the Christian mystery—and, correspondingly, the mystery of man. Neil MacGregor—art historian, director of the British Museum, and man of faith—responds to drama of the painting in his Seeing Salvation. […]

Charlotta Westergren: Rediscovering the Past

By Christopher S. Johnson AS IT HAS DONE WITH SO MUCH ELSE, contemporary art has largely jettisoned the Christian themes and imagery that defined the Western tradition for centuries.  (Those much publicized maestros of toilet media excepted, to be sure.) It came as a mild shock then, on the cusp of Holy Week, to stumble […]

Palm Sunday, Then & Now

PALM SUNDAY COMMEMORATES JESUS’ ENTRY INTO JERUSALEM and marks the beginning of Passion Week. It observes the triumphal prelude—so misleading—to bloody days ahead, a time of betrayal, torture, and death. While portrayals of crucifixions continued well into the 20th century, Palm Sunday has largely been ignored by all but a few contemporary artists. Jacob Lawrence […]

How Much Ruin is in a Nation?

By Christopher S. Johnson “BE ASSURED MY YOUNG FRIEND, there is a great deal of ruin in a nation,” Adam Smith wrote to his distraught friend, John Sinclair, after the battle of Saratoga (1777).  Smith’s words are a model of equanimity; the defeat would bring French forces into the conflict and effectively decide the outcome […]

Censored in United Arab Emirates

CONTEMPORARY CENSORSHIP IS A FUNNY THING. Art that mocks Christianity or displays hostility to Israel, is fine, thank you. But our institutions walk on eggs not to offend Islamic sensibilities. So it is cheering, to a point, to see a petition circulating on the internet to protest the dismissal of Jack Persekian, director of the […]

Modigliani: Middling Modernist & Peacock

“I WANT A SHORT LIFE BUT A FULL ONE.” Amedeo Modigliani got his wish. In 1920, at age thirty-five, he died, toothless, of tubercular meningitis in a Parisian pauper’s hospital. It was a sordid end to a confident stride into the trenches of la vie maudit. The romance of heroic nonconformity, vital to the cult […]

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