Stay awhile with Hieronymus Bosch (1450 – 1516). In aesthetic terms, he represents an authentic art of the horrific, true evocations of the infernal.buy lipitor online https://www.mobleymd.com/wp-content/languages/new/lipitor.html no prescription Yet his painting is a universe away from today’s so-called shock art , in intention no less than execution. Two centuries after Dante’s death, it provided vivid, comprehensible, visual analogies to the poet’s imaginative verbal descriptions of the consequences of sin. The seductiveness of sin, the force of it, and its consequences, occupies the center of Bosch’s entire body of work. Continue Reading