Creative Time

Anyone thinking of taking the L or G train to the fated Domino Sugar Refinery to see Kara Walker’s installation should keep in mind literary critic Hugh Kenner’s words about conceptual art. In his definition, it is art that only needs to be described. It does not need to be experienced. Destined to melt in a heat wave, Kara Walker’s “A Subtlety” was not meant as a permanent work of art. It is a temporary conceptual project fashioned from software that permits artists to replicate their creations in real space and in almost any scale desired. Continue Reading

How many beholders does it take to declare something objectively beautiful? Or not? That is a stumper. The riddle becomes easier to solve if you lower the register and ask how many are needed to declare a thing significant. The answer comes immediately: Not many, just so long as they are equipped to finance the project and generate tactical promotion. In short, those with the assets and affiliations to create both an image and the yardstick by which it is measured. Continue Reading