Unraveling the cat’s cradle of Catherine of Siena’s “writings” yields a twisty path into the politics of saint-making. The Saint Catherine of popular imagination is a composite of biography and invention. Glossed by shared cultural assumptions and aims, the hybrid is taken as historic. Idealization and legend are cherished as fact. Referring to Catherine’s productivity as writings is the customary way of naming it. Categorized among medieval women writers, the saint is sometimes depicted at a writing desk with pen in hand. Continue Reading