WITH THE ELECTION RETURNS LARGELY IN, this seems a good time to revisit “The Art of Obama Worship,” by Michael J. Lewis. Published in Commentary, September, 2009, the essay took off from Shepard Fairey’s iconic, Warhol-like poster of Obama in red, white and blue:
From the beginning, the Obama campaign invested much thought in its visual strategy. To portray him as a radically transformative deliverer, a figure of redemptive promise, was a natural course of action, his appearance comfortably matching his rhetoric.Continue Reading
