The Annunciation

The Annunciation: Tidings From A Painter & A Theologian

Today is the feast of the Annunciation. The Gospel story of an encounter between an angel and a peasant girl in ancient Judea has provided us with a treasury of luminous depictions. Much as I love the inventory of them as works of art, only one draws me to wonder and to prayer. The essential commitments of faith do not begin in intellectual assent. That comes later. Intellect ratifies what the heart has already glimpsed. And the eye grasps certain things in an instant; the mind takes longer to grant approval to reasoned argument. Continue Reading
Henry Ossawa Tanner. The Annunciation (1898). Philadelphia Museum of Art.

To clear the palate from all things synodal, let us go look at a painting. One in particular deserves a place of honor. Among the loveliest images of Mary that we hold as our own, none delights me more than Henry Ossawa Tanner’s The Annunciation. Tanner (1859-1937) was this country’s first major African-American artist. Within nine years of moving to Paris—a crucial destination for artists of his generation—he had become an international success. By 1900, he ranked among the leading Americans in Paris and, released there from the burdens of race, was counted the premier biblical painter of his day. Continue Reading