The Grotesque

Bosch and the Grotesque, cont'd

Stay awhile with Hieronymus Bosch (1450 – 1516). In aesthetic terms, he represents an authentic art of the horrific, true evocations of the infernal.buy lipitor online https://www.mobleymd.com/wp-content/languages/new/lipitor.html no prescription Yet his painting is a universe away from today’s so-called shock art , in intention no less than execution. Two centuries after Dante’s death, it provided vivid, comprehensible, visual analogies to the poet’s imaginative verbal descriptions of the consequences of sin. The seductiveness of sin, the force of it, and its consequences, occupies the center of Bosch’s entire body of work. Continue Reading
James Franco, Bird S**t, and the Grotesque

The grotesque is one of the most obvious forms art may take to pierce the veil of familiarity, to stab us up from the dross of the accustomed, to make us aware of the perilous paradoxically of life. Robert Penn Warren
So then, how do we approach a performance piece by celebrity artist James Franco called Bird Shit? What kind of malediction is left for a crude, fluffy-minded effort flying under cover of a protected academic category: The Grotesque? Bird Shit lands at the Museum of Modern Art’s satellite PS1 today, April 7th. Continue Reading