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Maureen Mullarkey: Studio Matters

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Pax Domini and a High-Five

A pang of desolation runs through me during that spasm of glad-handing at Mass called the Kiss of Peace. The High-Five of Peace, as often as not. All the Rotarian hand-shaking, wigwagging, and waving toward every possible compass point makes me lonely. Congregants two generations removed from Woodstock have taken to raising that old two-fingered, tie-dyed peace sign. The sight of it dispirits me. (Who was it who said that the Sixties, like the poor, will be with us always?) What the hubbub brings to mind is not the pax tecum , an eschatological promise to a community linked by the same faith and the same love. Continue Reading

Ad Gustum

Speaking of angels, there is this rendering of St. Michael from the gifted Daniel Mitsui : Mitsui promises a new St. Michael, again as a samurai, later in the year. Below is St. Raphael, carrying his attributes, a staff—bamboo, this time—and a fish. Most likely a carp. (In Japanese culture the carp is a symbol of resolve, of strength in adversity. Perseverance is a desired quality in boys; hence, the carp is a popular design on boys’ kimonos.) [Thanks to Mike Walsh, MM, for the link.] Continue Reading

A Blog of One’s Own

It is an odd thing, this culture of blogging. I am still not fully at home with it. The very word blog makes me wince. It is an ungainly term, ugly to look at on the page and even uglier to hear spoken. Gelatinous. The word comes dangerously close to blob . If I had to pick a visual correlative for the term, it could only be this: Somewhere in the pudding of phonetic associations, is blah and blab . Worse, frog —as Emily Dickinson used the word:
How public, like a frog To tell your name the livelong day To an admiring bog!
Continue Reading

Nikos Salingaros: Resilient Architecture

You only need a theory if you don’t know how to do something. Leon Krier   We call the New Urbanism originated in the conversion of Leon Krier, architect and urban planner, from modernism to classicism. A blunt critic of vertical sprawl, he once declared “modernist architecture and town planning is inimical to human beings . . . based on the Darwinian concept that evolution is open ended, that there must always be something new and better.” Nikos Salingaros, architect and urban theorist, writes in sympathy with Krier’s appraisal of the ravages of modernist architecture. Continue Reading

In the End, Perhaps, Lightness of Heart

I came to Hans Sedlmayr’s Art in Crisis, first published in 1948 , through Roger Kimball’s essay in which he termed the text a “blistering polemic.” I confess a weakness for blistering polemics. Nothing warms the heart faster in these imperiously nonjudgmental days. Morevover, Sedlmayr’s cultural pessimism conforms more convincingly to fallen man and his ever-falling times than our current dalliance with the saving powers of beauty. For a concise bio of Sedlmayr go directly to the Dictionary of Art Historians. Continue Reading
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