WITH THE ELECTION RETURNS LARGELY IN, this seems a good time to revisit “The Art of Obama Worship,” by Michael J. Lewis. Published in Commentary, September, 2009, the essay took off from Shepard Fairey’s iconic, Warhol-like poster of Obama in red, white and blue:
From the beginning, the Obama campaign invested much thought in its visual strategy. To portray him as a radically transformative deliverer, a figure of redemptive promise, was a natural course of action, his appearance comfortably matching his rhetoric.
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FINALLY, THE HUMBLE PHONE BOOK is getting its due. Ammon Shea is quite likely the only person on the planet to take an interest in the one text we all rely on without ever giving it a second’s thought. He has just published The Phone Book: The Curious History of the Book That Everyone Uses But No One Reads. In the great scheme of things, it is a small subject. But not as small as first thought would have it. At the end of the road from the first telephone directory is Facebook. Continue Reading
ERIC HEBBORN CAME TO A HARD END, his skull mysteriously smashed in on a Roman alley in 1996. Quite possibly the world’s greatest art forger, he was the hand behind innumerable works once attributed to artists as varied as Brueghel, Piranesi, Pontormo, Corot and Augustus John, among others. Born in London,  he studied at The Royal Academy, winning every major prize available, including the Royal Academy Silver Prize, the Hacker Portrait Prize and the enviable Rome Prize. In short, he knew his stuff. Continue Reading
WILL YOUR FIRSTBORN RUIN HER CHANCES of getting into Yale if she cuts her baby teeth on picture books? What good are the plastic letters on her teething ring if you let her linger with picture books? Shouldn’t she be weaned onto prose—long and winding prose—as early as possible? What future is there for a tyke whose picture book phase does not end with diapers? Should we take Herbert Kohl’s advice and burn Babar? ;; .. You have to wonder. The headline of Julie Bosman’s article in The New York Times is something of a shock: “Picture Books No Longer a Staple for Children” I had thought my years of gallery-going had made me shockproof. Continue Reading
JERRY PINKNEY IS A NATIONAL TREASURE. At the risk of sounding hyperbolic, his children’s book illustrations offer artists more food than the ritual tours of Chelsea. Implicit in the beauty of his work (sometimes commissioned on behalf of less distinguished texts) and the decency that informs it, is more culture than in whole square blocks of any art district you can name. Artists in search of a purpose should put down Art in America or Modern Painters and get their hands on whatever they can find illustrated by Pinkney. Continue Reading
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