Man with a Blue Scarf On Sitting for a Portrait by Lucian Freud by Martin Gayford Thames & Hudson, 256 pp., $40 Art critics have been sitting for their portraits since Diderot, grandaddy of modern criticism, modeled for Fragonard. Under 18th-century Prussian rigor, aesthetics hardened into a discipline. Critics arose as arbiters and exegetes. The benefits of painting them rose, too. Johann Winckelmann, pioneer of art historical methodology, posed for Anton Mengs; Immanuel Kant, for lesser lights. John Ruskin held his stance for John Millais. Continue Reading
Tonight, Wednesday the 15th, Anthony Haden-Guest is giving a reading at HP Garcia, a newish gallery in New York’s garment district. Haden-Guest is variously described as a reporter, cartoonist, art critic, poet and socialite. Something tells me that socialite might be the most significant, given the gossipy, insider stuff he has written about the art world. He was, back when Studio 54 was still alive, a champion party-goer. These days, he is the editor of Charles Saachi’s online magazine. That is mostly what anyone needs to know about him. Continue Reading
A reader sent me this listing posted yesterday on Craigslist. It came with the simple word “Yikes!” That is about as eloquent as you can get over a post that is almost too forlorn for words. The listing appeared, appropriately enough, all in lower case. Diminished punctuation suits the pathos of the quest:
performance artist looking for an art theorist to coach me on understanding and articulating the intellectual underpinnings of my work. i am looking for someone who follows current art world trends, ideas, themes and artists, especially the recent interest in performance art.
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THIS IS A SOBERING LABOR DAY. We have seen the employment statistics. Somewhere under the rubble of numbers are artists—semi-employed, underemployed—supporting themselves with every imaginable odd job: a part-time adjunctcy here, another there; waiting tables; house painting; dog walking; carpentry—you name it. Yet institutions of so-called higher learning, keep turning out M.F.A. candidates on the false assumption that a faculty position awaits them. Exploiting popular delusion, Texas Tech University trumpets itself as the first to offer a doctorate in fine art.  Continue Reading
HERE I SIT WITH A HORRID LITTLE BOOK. Well, not so little at 300 pages but definitely unlikeable. Fine Art and High Finance by one Clare McAndrew was published this year by Bloomberg Press [yes, that Bloomberg]. Subtitled Expert Advice on the Economics of Ownership, it is a handbook on the global art trade meant for the financial sector. Dr. McAndrew explains:
The international art market is estimated to have turned over more than $60 billion in total sales of fine and decorative art and antiques in 2008, one of its highest-ever recorded totals.
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