No depiction of the Crucifixion in all of Western art is as stark an image of abject suffering as Matthias Grünewald’s. Canons of beauty were never the object here. Its seeming modernity lies in its refusal to veil the grotesque.buy viagra super active generic https://viagra4pleasurerx.com/viagra_super_active.html over the counter
The corpus is appalling; it repels aestheticization. Christ does not appear to sleep or transcend the agony of his ordeal. No hint of ultimate tranquility shields us from suffering the sight of a body broken and torn by torment. Continue Reading
