Painting is meant to be seen, not talked about. Painters are drawn to things, not concepts or doctrines. What counts is what is front of them, the very thing itself—whether an object or a vista—not an idea about the thing. For a painter, the only ideas that count are pictorial ones. Matters of fact are primary. These include the material facts of paint, the cookery of getting it right, manipulation of brushes and color chords—all physical, earth-bound matters. Fairfield Porter was blunt: “An art that finds ideas more real than things is attractive to the unemployed intellectual.” Continue Reading
