Popular Culture

Huey Newton

The violent bear it away. That title of Flannery O’Connor’s 1960 novel still resonates. Some relentless atavism is at work in our culture, a monstrous irrationality that awakens what O’Connor called “the stuff of which madmen and fanatics are made.” Violence, no longer shunned, is now an accepted political tool. The attempted assassination of Justice Brett Kavanaugh—preceded by U.S Attorney General Merrick Garland’s refusal to enforce federal law against protesters at justices’ homes—exposed the fragile divide between constituted order and willed anarchy. Continue Reading
pregnant pro-abortion protester

The Dobbs decision has been thoroughly analyzed and discussed elsewhere. What appears here are notes jotted in the margins. Begin with the anarchic trajectory of Justice Kennedy’s “mystery passage” of thirty years ago. Roe v. Wade invented a Constitutional right out of whole cloth. Planned Parenthood v. Casey exalted the grounds of that invention. The 1992 decision codified Justice Kennedy’s madcap dictum: “At the heart of liberty is the right to define one’s own concept of existence, of meaning, of the universe, and of the mystery of human life.” Continue Reading
Minton in drag

Biden’s new appointment to the Department of Energy is a strutting, non-binary drag queen. He is also a packmate in the leather subset of “pup handlers.” You can bone up on the culture of puppy love later. For now, pay attention to Sam Brinton holding forth on the ethical necessity of role-playing of another kind: genderqueer pronouns for the newly discovered constellation of gender identities. A link to his three and a half minute video is in the previous post. Still, it is better to have the libretto in front of you. Continue Reading
Sam Minton in drag

I have not brought myself to pay this year’s dues on my long-term membership in AICA-USA, the United States section of the Association Internationale des Critiques d’Art. Founded in 1950 in Paris (hence the acronym), it presents its mission as “elevating the values of art criticism as a discipline, and acting on behalf of the physical and moral defense of works of art.” [Embalming criticism in an academic discipline sends cold steel through the heart of the kind of lively observations recorded by the Goncourt brothers. Continue Reading
Facing Or Masking Ourselves

Here within the orbit of Manhattan, masks are not merely tolerated; they are embraced. Obedience to Covidian biopolitics elevated masking to a sacramental act. It has become the secular analogy to sprinkling holy water or making the sign of the cross. Merit accrues to a new ritual observance that effaces individual identity and desensitizes us to the complex role of faces in personal communication. This compulsive masking sharpens my memory of words that have stayed with me since girlhood: “By the time you are 40, you are responsible for your own face.” Continue Reading