To religious minds, the language of sin, its vocabulary and syntax, cuts closer to the heart of things than its secular replacement: the language of bureaucracy. In a religious lexicon, the word sin describes violation of the inalienable rights of the God Who commands. Bureauspeak, by contrast, is a secular rhetorical practice adept at describing violations of standard procedure. Or, if you prefer, offenses against decorum. The sinner says, “Cleanse Thou me from secret faults.” The bureau-rhetor says whatever is needed to minimize negative reaction to slippage among personnel or, perhaps, one’s own. Continue Reading
Overlooked in the flurry of objections to this year’s Vatican crèche is what the installation indicates about the personal—not to say profane—ambition of our current pope. Jorge Bergoglio is in a posthumous contest with Karol Wojtyla for a papal legacy. On October 16, 2002, John Paul II left his mark on the rosary, adding five more decades—the Luminous Mysteries—to a beloved devotion untouched for eight hundred years. Now comes Francis I to stamp his identity on the eight hundred year old crèche, rebranding it as a marketing tool for his trademark promotion of limitless migration and open borders. Continue Reading
The holiday has been put away. The wreath is turning brown. Town Christmas tree pick-up began last week. It is time to head to the Met to buy next year’s cards at half-price in the museum store. The general run of  contemporary Christmas mailings ranks low on any measure of cultural exchange. It is not nostalgia that sends me hunting for cards with older images. It is the clear, transparent fact that the graphics of a previous generation addressed themselves to the eye—and the spirit—with an intelligence that is fast disappearing from our sensibilities. Continue Reading
At the end of each presidency the Smithsonian commissions an official portrait of the outgoing royals for the National Portrait Gallery. Museum curators advise, suggesting names to suit the sensibility and self-image of the couple. Barack and Michelle Obama have each selected their individual immortalizers. Kehinde Wiley will collaborate with the former president on his own iconography. Amy Sherald will work with the former first lady on hers. Final commentary awaits delivery of the finished products. Meantime, there are things to be learned by looking at the signature styles that brought Mr. Continue Reading
Joy to the world and a lump of coal in your bourgeois stocking. That is the mixed message of this year’s updated créche in St. Peter’s Square. Admonitory additions to the traditional créche illustrate Orwell’s contention that all art is propaganda. He did not have the ancient manger scene in mind, but he might as well have. Right-thinking Vatican set designers appear intent on proving him correct. And exhibiting their own high moral conscience at the same time. A polemic in disguise, this year’s installation is a leaden tutorial from earnest men with stern expressions and furrowed brows. Continue Reading
Subscribe To The Newsletter

Subscribe To The Newsletter

Join the Studio Matters mailing list for an occasional heads-up. Thank you.

You have Successfully Subscribed!

Premade image 14

Subscribe To The Newsletter

Join the Studio Matters mailing list for an occasional heads-up. Thank you.