It sometimes helps to know where something is headed before you get there. So this once, let me begin where the proctors of creative writing would tell me to end. Here goes: When the language of prayer or religious expression is used as a tool of ideology or pragmatic advancement it becomes a profanity. Pressed into service as an instrument of institutional pride, or any other cherished good, it loses its soul. Put to profane purposes—e.g. a means to preempt questions and short-circuit conscientious doubts, or as a bribe to observe questionable devotions—it is an impiety. Continue Reading
In Jorge Bergoglio’s lexicon, the words love and peace are vacant of meaning. Love dwindles down to nice feelings; peace shrinks to an ostrich-like refusal to acknowledge encroaching peril. On the flight back to Rome from Fatima, our shepherd delivered this reversal of reality to the court press:  An atheist said to me: “I am an atheist”; he didn’t say what nationality he was or where he came from.  He spoke in English, so I couldn’t tell and I didn’t ask him.  Continue Reading
Pius XII was against Faustina’s apparitions before he was for them. He first distanced the Church from them by placing her writings on the Index of Forbidden Books (Index Liborum Prohibitorum). Notwithstanding, he  blessed an image of the Divine Mercy in Rome in 1956. The Holy Office [not yet renamed Congregation for the Doctrine of the Faith] under John XXIII, suppressed the writings twice, the second time in 1959. The stay against Faustina’s diary and devotion to the image of Divine Mercy lasted until 1978, the year Karol Wojtyla was elected to the papacy. Continue Reading
After hearing my confession, a gentle, elderly priest granted absolution and, for my penance, imposed the chaplet of Divine Mercy. I cringed. Oh, please, not that! Like the bargaining murderer in Alfred Hitchock’s I Confess, I negotiated the penance. I blurted out something about revulsion for the self-regarding jumble of Faustina’s supernatural stenography. I wanted nothing to do with the cult of Faustina and her preposterous painting commission. Please, Father, give me a different penance. A mild man, he obliged. He rescinded the chaplet and sent me to the rosary instead. Continue Reading
Notices of Archbishop Paglia’s homoerotic mural began appearing in my e-box on Friday, with still more on Saturday. I regret not having paid closer attention before shrugging in dismissal. Diverted by art history and the aesthetics of the thing, I missed the crux of the story. Truth to tell, the screaming headline put me off: Shocker: Francis-appointed Vatican archbishop featured in massive homoerotic painting he commissioned. Maybe it was the word shocker. So often does that precede something that ought be no surprise to anyone, let alone a shock, that I did not read past the opening paragraph on LifeSiteNews:
The archbishop now at the helm of the Pontifical Academy for Life paid a homosexual artist to paint a blasphemous homoerotic mural in his cathedral church in 2007.
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