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Maureen Mullarkey: Studio Matters

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Not Failed, Just Unrealized

BEING AN ARTIST MEANS you never have to say, “I failed.” Think of the advantage that gives artists over the rest of the plodding classes. Artists never have to admit the lack of wit, talent, or stamina needed to conceive of work, realize it and see it through. All they have to do is rummage through their junk pile and declare everything in it “unrealized.” At least that is the drift of “A call for unrealized projects” broadcast by the Agency for Unrealized Projects (AUP), a conceptual scheme devised by artists Julieta Aranda, Hans Ulrich Obrist, Julia Peyton-Jones, and Anton Vidokle in collaboration with London’s Serpentine Gallery. Continue Reading

Disposable=Sustainable

IN CASE ANY OF YOU WONDERED WHETHER SUSTAINABILITY was, at heart, an ideological love affair with subsistence living, take a gander: / // Take this as a fashion forecast of our new footgear when the sustainable crowd finally erases the Industrial Revolution and its works from the planet. The shoes on the left are a bit hard to see in their full splendor but they are made completely of plastic packaging. In good weather, we can always go barefoot. Look again at the one on the right: //   How uncomfortable to wear! Continue Reading

Et tu, Superman?

WHEN I BEGAN THIS BLOGGY THING, I never intended to drift into politics. Quite the opposite, really. My fantasy—and it was fantasy—was to transcend politics, leap over or slide under it. Good luck with that, Maureen. The art world itself is so sodden with politics that it becomes impossible to ignore the drift. Even comic books are driven to parade some political stance or other.buy Flomax generic https://buywithoutprescriptiononlinerx.com over the counter // // Thanks to Jim Hoft at Gateway Pundit, we learn today that, now, even Superman considers himself a citizen of the world and is trading in his American identity. Continue Reading

Palm Sunday, Then & Now

PALM SUNDAY COMMEMORATES JESUS’ ENTRY INTO JERUSALEM and marks the beginning of Passion Week. It observes the triumphal prelude—so misleading—to bloody days ahead, a time of betrayal, torture, and death. While portrayals of crucifixions continued well into the 20th century, Palm Sunday has largely been ignored by all but a few contemporary artists. Jacob Lawrence is one of the few. He framed the gospel story in terms of a black pastor greeting his flock, with particular tenderness toward the children: // // Romare Beardon, too, phrased the event in terms of the black community. Continue Reading

Censored in United Arab Emirates

CONTEMPORARY CENSORSHIP IS A FUNNY THING. Art that mocks Christianity or displays hostility to Israel, is fine, thank you. But our institutions walk on eggs not to offend Islamic sensibilities. So it is cheering, to a point, to see a petition circulating on the internet to protest the dismissal of Jack Persekian, director of the Sharjah Art Foundation. He had the poor taste to include in the 10th Sharjah Biennial an artwork offensive to the religion of peace. // The artist is Algerian. Continue Reading
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