Seeing Things: Female Impersonation from Cabaret to Identity

So far as seeing things is an art, it is the art of keeping your eyes and ears open. (John Borroughs, 1908) You really can tell some things just by looking. It cannot be said too often: the eye is an organ of the brain. It has its own way of knowing. When it looks, for instance, at the grotesque Admiral Rachel (né Richard) Levine, or Sam Brinton, the non-binary former Biden appointee to the Department of Nuclear Energy, it discerns the gulf between sanity and a simulacrum of it. Continue Reading
Studio Matters: Art Talk, Church Talk, et al.

Studio Matters began as a companion to my columns for the culture desk of The New York Sun in its brief reincarnation as a print edition. I often miss my weblog’s original mandate. At the time, The Sun ran the best arts coverage in New York City. A small troupe of us covered visual arts for the culture desk under the heading “Gallery Going.” Journalistic art criticism has been with us since the Mercure de France published the first criticism of a Paris Salon in 1738. Continue Reading
Harrison Butker At The Podium

Harrison Butker’s commencement address at Benedictine College was a mixed pleasure. There was much in it to cheer. Nonetheless, his spotlight on Josemariá Escrivá de Balaguer, (1902-1975), founder of Opus Dei, raised a red flag. How familiar is Butker with the richness of Catholic tradition beyond the contours of a quasi-sectarian, ultra-orthodox movement hinged on a personality cult? More on that later. But first, the pleasure. Part homily, part pep talk, the address challenged young Catholics to recognize the moral bankruptcy of the culture they will inhabit as adults. Continue Reading
Francis, the Venice Biennale, and the Vacuum of Belief

Francis is the first pope to tour the Venice Biennale. May he be the last. A good deal of sugar has been spun from the unexamined conceit that art—Art—is a moral pill to treat social problems. A trademark of upper-middle and upper-upper class groupthink, it was in high relief on Sunday, April 28. That day Pope Francis helicoptered to Venice for a tour of the exhibition “With My Eyes” at the Holy See Pavilion. The word pavilion here is a moveable concept that applies to a temporary installation housed this year in the women’s prison on Venice’s Giudecca Island. Continue Reading
Cecilia's Funeral & Theology of the Beaten Dog

  We wake up every day to signs of a civilization in free fall. Cratering with it is the moral authority of the Roman Church under the captaincy of Pope Francis. One signal in particular stands out: last month’s funeral circus at St. Patrick’s Cathedral for transgender activist, prostitute, and sex-worker advocate, Cecilia Gentili. The entire production exhaled the rancid breath of Bergoglian accompaniment Much has already been said about the funeral (see here, here, here, and elsewhere). What has not been said is any recognition of the thing for what it was: an act of war. Continue Reading