According to Sartre, “I am what I have” is the reigning attitude of the bourgeoisie. Much as I dislike the word bourgeois and its historic uses, Sartre’s comment is on the money when it comes to art collectors. “I am my paintings.” Collecting is an upscale recreation, a game that confers the illusion of cultural […]

For connoisseurs of civilizational decline, the delights keep accumulating. Contemporary art is especially generous in building the case that Spengler had it right. If only he had been an art critic. The ignorance and terminal vulgarity of what passes—still—for feminist art disqualifies most of its practitioners from any claim on civilized attention. Newly arrived is […]

This time last year, Studio Matters went on retreat. It withdrew in anticipation of a long, difficult year. The new one promises to be no easier.buy Nootropil generic https://buybloinfo.com over the counter Still, retreats are meant as preludes to renewal, not abdication. I was reminded of this by a note that came from a lovely […]

AS MANY OF YOU HAVE EMAILED to inquire—or scold—about, postings have been sluggish for some time. It is not good form to leave it at that. Time to be direct and own up to reality. Circumstances do not permit me to continue Studio Matters for the moment.  It will start up again when life permits […]

EACH CHRISTMAS MORNING I wake up relieved that the struggle against “Happy Holidays” is over for another year. Holidays are holy days, after all. When Hanukkah and Christmas arrive so close together as they do this year, I wonder if it would be possible to announce “Happy Holy Days!” into the secular void.  The wondering […]

ART HISTORIANS ARE NOT NECESSARILY the best commentators on art. They are primarily researchers: archival sleuths, inquirers, unearthers of fact. Gumshoes, the best of them.  Some can write, many cannot. The discipline draws bookish sorts who are more at home in a library carrel, reading up on the words of some other member of the […]

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