HASAN NIYAZI, impressario of Three Pipe Problem, had included a list of readings that informed his essay in the previous post, Navigating the Cognitive Philosophy of Michael Fried. I omitted the roster simply to conform more closely to the format of Studio Matters. The audience for this blog are, in the main, other working artists, […]
by Hasan Niyazi CARAVAGGIO AND HIS FOLLOWERS IN ROME has arrived at the Kimbell Art Museum in Fort Worth, Texas. Those unable to experience the majesty of the Baroque in person are left to ponder the substantial catalogue recently published by Yale University Press. Featuring essays by exhibition organizers and notable scholars of the Baroque, […]
ONE PROBLEM WITH ART HISTORIANS-TURNED-JOURNALISTS lies in the requirements of journalism. The art pundit must be interesting; no matter if accuracy suffers. Diversion is the name of the game. Elegant and high-minded, to be sure, but diverting nonetheless. And there really is not time, given the copy deadlines of daily or even weekly publications, to […]
MODESTY IS NOT CHARACTERISTIC OF CONTEMPORARY CULTURE. Prevailing emphasis on self-assertion, and the pseudo-profundity that fuels it in the visual arts, leaves little room for the quietude and lucidity that are the hallmarks of Elizabeth O’Reilly’s painting. O’Reilly brings to art an intuitive regard for man’s sense of place. It is a sensibility that makes […]
COLUMBUS’ SEAFARING ACHIEVEMENT HAS BEEN CELEBRATED in various Western nations for different reasons. Here at home, Columbus Day entered the calendar as a day to celebrate the contribution of immigrants—particularly Italian Catholic ones—to the United States. So, please, folks, let us not pull our skirts back from a magnificent mariner, who first set sail at […]
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