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Maureen Mullarkey: Studio Matters

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Hodgkin, Pieper and Artwriting

The lecture goes back a few years but reminders of it keep arriving. In November, 2003, while he was here for his exhibit at Gagosian, Howard Hodgkin gave a talk at the Frick. The subject was one of those airy things that weigh a ton: an artist’s perspective on the relationship between painting and its […]

Hector McDonnell, Ulster Artist

This how the House of Lords ends—in the arts. Hector McDonnell is an established painter, etcher and illustrator born and raised in County Antrim, Northern Ireland. Raised in Glenarm Castle to be exact. McDonnell is the younger son of the 13th Earl of Antrim, Ulster’s only aristocratic Catholic titleholder. Hector’s older brother—an architect—is the 14th […]

Dorothea Rockburne’s Astronomy Drawings

A distinguished abstract painter, Dorothea Rockburne’s public profile is surprisingly modest in relation to her achievement. The names of her painting instructors at Black Mountain College in the 1950s—Franz Kline, Philip Guston and Jack Tworkov—are more widely recognized among the general public than her own. Nevertheless, her worldwide exhibition record is as enviable as her […]

Early Stage Zoophilia?

The Savannah College of Art is known for its no-nonsense commitment to hands-on studio practice. So their most recent broadcast, announcing an open studio night on May 8th, contained a surprise. There were the expected offerings: wheel throwing demos from the ceramics department; an exhibit of new work from the painting faculty; a print making […]

Julie Speed: Not From Here

With so much contemporary figuration built on photography, it is refreshing to meet a painter who puts away the camera. Julie Speed is as much a showman as a painter; the inscrutability and frequent magic of her compositions makes the camera irrelevant. Born in Chicago in 1951, Speed is a lifelong lover of drawing, an […]

New Life for a Traditional Device

Paul Caranicas’ minimalist landscapes—if that is what they are—rank among the most interesting paintings on the contemporary scene. They remind us that freshness is a quality of mind, one that has nothing to do with conventional idiosyncrasy. Caranicas views his own contemporary locales through a compositional device used by Canaletto during his stay in London. […]

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