COMING IN OVER THE TRANSOM LAST NIGHT, and again this morning, were various expressions of pious regret at the death, yesterday, of Louise Bourgeois. “Yet another great loss in the arts” intoned one e-mail. “She will be missed,” said another. Not as an artist. And not by me. Louise Bourgeois has passed into mystery. To […]

MOST LIKELY, YOU HAVE READ ALL ABOUT the recent theft of five big-ticket paintings from the Paris Museum of Modern Art. If not, you can catch up here.  And here. Britain’s Daily Mail does well with this sort of thing. Lots of pictures. Its online edition is one of the few sites that illustrated each […]

SO WHO IS TUCKER NICHOLS? Whose kid is he? That was my first thought when I saw the name on an oversized, electric red envelope in the mailbox. At quick glance, it looked hand-addressed—immature block lettering dotted with a blot or two. It was the kind of Magic-Markering ten-year-olds send to each other by way […]

Ross Neher has described himself as a practicing painter and a partisan in the rough-and-tumble New York art world. In his book, Blindfolding the Muse: the Plight of Painting in the Age of Conceptual Art (1999), he sets down valuable—and contentious—arguments in defense of the art of painting. The art, mind you; not the concept. […]

Michael Quenot, an authority on the art and Orthodox theology of icons, insists on the primacy of two dimensional images in the visual expression of religious conviction. In The Icon: Window on the Kingdom, he wrote that the two-dimensional iconographic image is “more accessible to mystery.” It is an irritating point to anyone who marvels […]

By Heddy Breuer Abramowitz In a welcome move for a venue-starved city, the American Culture Center, an arm of the U.S. Embassy, inaugurated the first art exhibit at its library in Jerusalem. Entitled the “Memory Project I,” artist Robin Press presented an ensemble of prints dealing with childhood memories. The opening included a talk by […]

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