DISMAY OVER THE DISFIGUREMENT of an artist’s training by pretenses to metaphysical depth and invented meanings—call it skywriting—sent me to the library. What for? Not exactly sure. Anything to clear the palette, really. A good mystery would have done the job. But I had to pass down the architecture aisle to get to pulp fiction. […]

IT WAS BARNETT NEWMAN, I think, who said: “Aesthetics is for art what ornithology is for the birds.” That is a gravelly way of getting to the point that philosophies of art are written for philosophers. Artists are not the intended beneficiaries. They need not approve and can easily cripple themselves if they try. Yet […]

I RECEIVED THE OFFER OF A TEACHING JOB, accepted it, and resigned all in the same day. Yesterday, I opened my computer to find an invitation to teach a graduate class called Art and Culture in a New York art school’s MFA program. It meant leading a weekly 90-minute seminar on assigned readings and attending, […]

THE REOPENING OF PAUL THIEBAUD’S uptown gallery is a welcome event. Established on the West Coast, the gallery launched a New York branch in 2005. Four years later, the gallery closed the shutters and hung up a “by appointment only” shingle. Hearts dropped among those who loved the quality of its exhibitions and the pleasure […]

CHERYL PELAVIN FINE ARTS, established nearly three decades ago, has changed its name. It is now simply Pelavin Gallery, under the directorship of Todd Masters, newly aboard as co-owner. Masters, an experienced gallerist, is the founder and CEO of Black Umbrellas, his own fine art consultancy. In its three decades under Ms. Pelavin, gallery inventory […]

THE ARTS ARE SHORT ON PRACTICING CHRISTIANS AND JEWS but long on vegetarians. Even longer on environmentalists. The two go together, like a statue of Mary on one side of a Catholic altar and Joseph on the other. Earlier in May, Victor Davis Hanson wrote that “radical environmentalism died this year. ” Well, why not. […]

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