POPULAR APPRECIATION OF LANDSCAPE hinges on the romance of a good view. By contrast, the scenery of urban infrastructures—the natural setting of urban artists—is more challenging. Even middling painters can produce attractive pictures of beautiful places. It takes more robust sensibilities to seek order and grace in city sights readily ignored. Easy pleasure is not […]

But here is my most important principle of marketing: Each person who owns my work is my “agent”.  I usually tell purchasers that I expect them to be an “agent”, that they should show my work proudly, and I want them to brag about it. I want to be informed if they no longer have […]

ART CAN NEVER BE A SCIENCE. Its claims are not falsifiable. There is no hard data on which to resolve disputes about what, when all boils down, are matters of taste. Yet the urge to gild art with the luster of science keep bubbling to the surface. John Silber’s Architecture of the Absurd sets the […]

DISMAY OVER THE DISFIGUREMENT of an artist’s training by pretenses to metaphysical depth and invented meanings—call it skywriting—sent me to the library. What for? Not exactly sure. Anything to clear the palette, really. A good mystery would have done the job. But I had to pass down the architecture aisle to get to pulp fiction. […]

IT WAS BARNETT NEWMAN, I think, who said: “Aesthetics is for art what ornithology is for the birds.” That is a gravelly way of getting to the point that philosophies of art are written for philosophers. Artists are not the intended beneficiaries. They need not approve and can easily cripple themselves if they try. Yet […]

I RECEIVED THE OFFER OF A TEACHING JOB, accepted it, and resigned all in the same day. Yesterday, I opened my computer to find an invitation to teach a graduate class called Art and Culture in a New York art school’s MFA program. It meant leading a weekly 90-minute seminar on assigned readings and attending, […]

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