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Maureen Mullarkey: Studio Matters

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No More Nice Girls

IN HER 2010 MONOGRAPH ON HANNAH WILKE, Nancy Princenthal writes this: . . . . throughout her graphic oeuvre, the issue of beauty is as central as it is in her photographic self-portraits. She might really believe that. Nevertheless, Princenthal’s comment is indivisible from the abuse of language that constitutes so much contemporary art writing. […]

Art & Money

HERE I SIT WITH A HORRID LITTLE BOOK. Well, not so little at 300 pages but definitely unlikeable. Fine Art and High Finance by one Clare McAndrew was published this year by Bloomberg Press [yes, that Bloomberg]. Subtitled Expert Advice on the Economics of Ownership, it is a handbook on the global art trade meant […]

Chapel Americana

THE ARTS ARE AN ENDLESS SOURCE OF CHEAP GRACE. Like the ancient Celtic myth of Dagda’s cauldron, it is the pot that never empties. The most recent ladleful of pop spirituality is Dean Radinovsky’s Chapel Americana, a roughly 13 by 17 foot warehouse version of one of the sacred caves the artist had seen on […]

CalArts Graduating Class, 2010

IS THERE A VACCINE FOR ART INTOLERANCE? If so, please tell me where to get it. At the beginning of the summer CalArts announced its exhibition of work by this year’s crop of MFA grads. This next wave of artistic talent washed over downtown Los Angeles’ Chinatown from July 2nd through July 9th at six […]

Linda Weintraub & The Artificial Self

PLEASE, NO MORE COMPLAINTS. Several readers have complained that the previous post, “The Artificial Artistic Self,” was unkind to Jane Culp. No, I do not think so. There is no reason to talk about art and artists with any greater delicacy than we use in talking about politics and politicians. Our only obligation is to […]

The Artificial Artistic Self

JANE CULP IS THE WIDOW of painter Louis Finkelstein (d. 2000). He was a widower himself when they married. His first wife, painter Gretna Campbell died in 1987. Culp’s own painting carries echoes of both her husband and her predecessor. Louis’ fracturing of form and well-known admiration for Cezanne is visible in her landscapes and […]

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