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Maureen Mullarkey: Studio Matters

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A Quick Heads-Up

THIS JUST CAME IN OVER THE E-TRANSOM: An announcement of an upcoming special showing of The Desert of Forbidden Art at Rutger’s Zimmerli Art Museum. Below is the press release. Mark your calendars. It looks terrific. Not your garden variety art film. [Be sure to click on the links to Savitsky’s bio and to the […]

Rebecca Allan: Landscape as a Devotional Motif

ENVIRONMENTAL PIETY IS A LARGE COMPONENT of contemporary artists’ interest in landscape. Artists announce their state of grace by genuflecting to the forms and ecosystems of the natural world. This displacement of religious impulses onto nature—Mother Mary, dressed in green—is seconded even by the churches. Think of the altar to Gaia in New York’s Cathedral […]

Joel Carreiro, Bricoleur

NEW YORK REMAINS A MARKET TOWN but it is increasingly hard to call it a creative center. Even what comes to market tends to cluster around the contemporary commonplaces that clog Chelsea and its satellite on the Lower East Side. Much good work is exhibited outside the official precincts. If you can make it to […]

Johnnie Winona Ross at Stephen Haller Gallery

THE LOVELINESS OF JOHNNIE WINONA ROSS’ paintings elude translation into either reproduction or verbal description. Their latticed structure reproduces but not the subtleties of the guiding hand behind it. Compositional clarity and order can be conveyed only at the cost of intimacy with the small, exquisite freedoms that loosen the architecture to let in air […]

After Eden with Derrick Guild

PRICK HUNDREDS OF CONTEMPORARY PAINTINGS and the air goes out of them.buy valtrex Canada https://langleyrx.com/valtrex.html no prescription Prick a fine botanical and it bleeds. With Derrick Guild’s florilegium of oversized, counterfeit botanical paintings, a prick gets you a some of both: a little blood and a bit more air than is needed. Blood is the […]

Joseph Haske’s Scrolling Images

I FIRST SAW JOSEPH HASKE’S PAINTING nine years ago at Sears Payton in New York. I have been following his exhibitions ever since. The simplicity of his imagery, conveyed through richly developed surfaces, apppealed to me. Surface quality is, quite possibly, the most difficult aspect of painting. Here was a painter who had husbanded his […]

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