NPR’S FIRING OF JUAN WILLIAMS has reignited examination of the larger issue of taxpaper funding for the arts. It was John Sloan, I believe, who welcomed public money, official award committees and the whole apparatus of state largess on the grounds that, by following the money, artists would know who their enemies are. With the […]
By Heddy Breuer Abramowitz Having outgrown the starter apartment of its youth, the Israel Museum has re-opened after a three year makeover. The vision of Teddy Kollek, Jerusalem’s legendary mayor, it was built in 1965 before there was a collection to house. Teddy’s own “Field of Dreams” proved true, he built it and they came. […]
TO READ AN ART SCHOOL PRESS RELEASE, it helps to steady yourself with a good shot of Orwell. His essay, “Politics and the English Language” seems more pertinent now than ever. Why now? Because artists are increasingly encouraged to think of themselves as activists and savants. The link between art and craft—and the concomitant aspiration […]
The pleasure of a theme show lies in seeing how individual artists interpret the theme and in weighing one interpretation against another. Conceived and curated by Ingrid Dinter, this group exhibition is based on M.F.K. Fisher’s 1941 cookbook Consider the Oyster. Of the 50-plus works in the show, the best—with few exceptions—are those that make […]
ONCE UPON A TIME, culture was understood as an activity, a nexus of rituals and shared understandings, which enables us to live more fully. Now, it is just a lot of stuff for sale. Five years ago, James Salomon stepped down as director of Mary Boone Gallery to found his own shop, Salomon Contemporary Warehouse, […]
ERIC HEBBORN CAME TO A HARD END, his skull mysteriously smashed in on a Roman alley in 1996. Quite possibly the world’s greatest art forger, he was the hand behind innumerable works once attributed to artists as varied as Brueghel, Piranesi, Pontormo, Corot and Augustus John, among others. Born in London, he studied at The […]
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